French Baroque Era Painter, 1594-1665 French painter and draughtsman, active in Italy. His supreme achievement as a painter lies in his unrivalled but hard-won capacity to subordinate dramatic narrative and the expression of extreme states of human passions to the formal harmony of designs based on the beauty and precision of abstract forms. The development of his art towards this end was focused on the search for a point of equilibrium and synthesis between the forces of the Classical and the Baroque around which most critical debate in Rome was concentrated during the 1630s. Poussin did not aspire to the classicism of Raphael's idealized human forms or Michelangelo's re-embodiment of the physical splendours of the antique world, nor did he attempt to vie with the bravura and energy of Annibale Carracci's treatment of Classical mythology in the Galleria of the Palazzo Farnese in Rome. Equally he was not concerned with the illusionistic effects and heightened emotionalism of Baroque artists such as Pietro da Cortona and Lanfranco. He was concerned above all with interpreting his subject-matter, whether Classical or religious, and telling a story with the greatest possible concentration of emotional response,  Related Paintings of POUSSIN, Nicolas :. | Landscape with the Gathering of the Ashes of Phocion (detail) af | L.Hiver ou Le deluge | Bacchanal before a Statue of Pan zg | The Victorious David af | The Inspiration of the Poet (detail) af |
Related Artists:
Giovanni Cariani
Venice 1480/85-1547
Pasternak, Leonid
Russian, 1862-1945 Russian painter of Ukrainian birth. From 1881 to 1883 Pasternak studied painting privately with Professor Yevgraf Semyonovich Sorokin (1821-92), while working towards a degree in medicine. Switching to law, he also spent several terms studying drawing at the Akademie in Munich between 1883 and 1885. He had his first success in 1889 when his large genre painting in oil, News from Home (1.10*1.52 m, 1888; Moscow, Tret'yakov Gal.), was bought by the influential collector Pavel Tret'yakov. The painting reflects the influence of his German teachers in the sombre tones and the emphasis on the realism of the figures and setting. In 1889 he settled in Moscow and established his own art school.
Cuvelier Hippolythe
Saint-Omer 1803-1876